Limited Palette Study (triad) by Dina-Kalo-Fine-Art, journal
Limited Palette Study (triad)
For my first trial painting with my brand new Winsor & Newton Gouache (designer set) I've decided to try out a triadic palette. The Palette: Yellow / Yellow Orange (Permanent Yellow Deep) Red / Violet Red (Primary Red + Ultramarine) Blue / Green Blue (Ultramarine + Permanent Yellow Deep) The set really lends itself to studying the colour wheel (mixing colours) due to all the primary colours that are included (only one premixed primary green Middle) and this palette is a great example. If you've ever tried to paint with a limited palette you will know how difficult it is to figure out where the which red is the red of the colour wheel. In this case, I started out by deciding on which colour would be my 'key' the colour that would stand out most, this was the yellow /yellow orange (a yellow that leans towards yellow-orange) as I wanted my flowers to pop. Although to be fair, the whole thing is pretty saturated 😂 You can view the painting here From there, it's simple to select 2
Oil Painting - The Portrait in Layers by SombrePainter, journal
Oil Painting - The Portrait in Layers
Traditional Art Week
In this article we will present a method of oil painting which utilizes individual layers to solve a problem at a time. Although well known, I can only call it a modified version, since painting methods varied greatly among schools and teachers.
Disclaimer
The following is based on one of my lecture demonstrations. I used a self portrait by Anthony Van Dyck as a subject to apply this method, the goal being not to copy. His work is an exceptional example to learn from, it is soft and gentle enough yet bold and painterly where appropriate. I must emphasize that this is not a representation of how Van Dyck painted. However